Friday, May 4, 2012

WEEK 15: Final (Designer Comparison)

After watching a few films about art, I decided to write about Banksy in Exit Through the Gift Shop, and Stan Lee in Comic Book Confidential.

BANKSY


Craft: For most of his work, Banksy seems to work mostly with a unique stencilling technique in his graffiti.  For this bottom picture, in particular, it represents that very unique style of utilizing stencils.  It seems this was done on a concrete wall of a building, perhaps an alley.  The drawings are of a two Star Wars maned-walkers, the AT-ST (smaller), and the AT-AT (larger).  The lettering "..I am your father" is a famous phrase referrencing the Star Wars saga.  Banksy does not use much color at all, but rather focuses on very fine details in black in white.  He has all the right shading and is very precise in the scaling of his art.

Composition: The stencil drawings seem to attract your eye first.  Then you head toward the imporvised sections which consist of the quote and the question mark.  He has both droids looking towards each other as if they are interacting as unmanned living organisms.  It gives a sense of confrontation before you read the lettering, and afterwards a sense of paternal instinct.

Concept:  It is obvious that this is meant to be a parody or Star Wars, if not, at the very least it is making fun of it.  The bigger AT-AT is giving the impression of being a parental figure (the dad more specifically, after you read the statement).  The smaller AT-ST strikes you as a small child.  When the AT-AT says "I am your father," mimicking what Darth Vader says to Luke Skywalker, the AT-ST ponders the statement and is left in udder confusion as to how this is possible or implying, "Really? You're my father?" 





STAN LEE

 
Craft: As a world-renowned classic comic book artist (and everything else he's done), Stan Lee has left his mark in history.  The Marvel comic book of Spiderman and Wolverine edition depicted to the right can be seen to show a tremendous amount of color, detail, and style.  It really focuses on shadows and exaggerates them, making them really dark. The yellow and red really grab your eye, while the blue hues complement each other.  Darks and lights are are mixed and intermingled, yet still show a lot of organization and complementing when looking at how the colors are arranged.  After being drawn in by the superheroes, you go to the title, then the subtitle, and finally all the sub headings.  They are all in crazy fonts, but appropriate for the atmosphere.

Composition:  The cover seems pretty hectic and chaotic with a lot of stuff in it even though it only has two characters. I appreciate all the chaos because it goes with the style of the comic.  So much stuff wanting to be in the cover, that it suprisingly makes you want to open it and read what the heck is going on.  You are interested in the idea of two superhereos crossing over and being in the same edition.  Even if you didn't know who these two were, both of these characters seem pretty interesting and freaking cool with web going everywhere and Wolverine looking fierce. It seems that the different hues of green are so sublte and almost boring that they help bring out the hot-colored characters out more to the foreground.

Concept:  This is obviously a comic made for entertainment featuring Spiderman with "gues-star," Wolvernine.  It is a comic about action-packed superheroes who beat the bad guys and show that justice prevails.

When comparing Banksy with Stan Lee, it is quite a shift from one artist to another.  Banksy is a mysterious and infemous graffiti artist more centered on the political side of things.  On the other hand, Stan Lee is more of a fantasy guy, creating all of these crazy and amazing fictional characters.  He relates to kids and even adults depicting what he knows we would all like to be.  He does this in a way so as to also give the statement that all heroes are not superheroes.  Sometimes it only takes an average person to do a courageous act of justice to become super and be good in society.  Banksy is a little more devious and does not play by the law.  In a way, he is more of an anarchist which seems to get him fame and adoration from his fans, while resentment and problems arise on the side with the law.  His graffit has a distinct look to it. When you look at it, you automatically know: "Ah, that's Banksy." Similarly with Stan Lee, when you look at his comics, you know that the colorful action-packed superheroes on the cover are his signiture.  Both are fasinating people who try to speak in the way they can- through art.  They both try to send a message and hope that people hear and understand it. 

WEEK 14: Website publishing

After we had published our magazines online, we had to do a bit of reasearch on websites that specialized in viewing pdf's online.  While we waited for the hard copies to arrive at SXU, we investigated which websites meet certain requirements for posting and viewing an electronic copy of our pdf's.  The requirements were: a site that hosted PDF's, full screen capabilites, had limited or no adds, was able to view the pdf in 2-page spreads, was public, would never expire and always remain on the website, and most of all, that it was free.  Among the many websites that we found as a class, we discovered many pdf hosting sites, but some had defects or did not meet enough requirements.  MediaFire.com looked great but required payment. I tried freefilehosting.com but it sucked and just seemed like a online storage webstie.  The ones that worked out pretty good for many, or at least for me, were Issuu.com, Youblisher.com, and Scribd.com.  In all three, I was able to upload my pdf's and view them on the web.  Below are the embedded pdf files of all three websites as proof that they work well.

ISSUU


YOUBLISHER
Howl











SCRIBD
Magazine Jtorres Finalexport Interactive

WEEK 13: Lulu publishing and link

The focus of the week was to find a way to publish our magazines.  Luckily, Mr. Peck had already found a website that published magazines, books, and other material in a short amount of time and for free (unless you wanted to purchase a copy).  This website was Lulu.  We started out by making an account in which we could submit our work. Since they would only accept our magazines in PDF's, we had to convert our InDesign formatted magazine into a Portable Document Format (PDF). After going through the various steps to name, tag, properly cite/give credits, and everything else that is required in the legal publishing process, we were able to submit our pdf.  Our front and back covers, however, had to be uploaded seperately as jpeg's. In the end, we purchased two copies, one for Natha Peck and the other for ourselves.  With the cost for two copies coming out to under $40, we were glad to recieve them in about 10 buisinnes days.
The link to my published magazine is:  http://www.lulu.com/shop/jonathan-torres/howl/paperback/product-20048973.html where you can buy a purchase your very own copy.

WEEK 12: Magazine Cover and Back Cover




For the cover and back cover, I was not sure what would really encompass all of my content inside the magazine.  Even though, now it seems obvious that the wolf would be the grand de vue, at first I wasn't so sure my art could be modified in the way I wanted.  I almost wanted to snag a photo from the web that was was a lot better.  The cover is, if anything the place to show your artwork to the world, therefore, taking somebody else's work would be inept for such an occasion.  Nate Peck gave me the idea of enlarging the photo and zooming in on one of the wolf.  That made sense in a way, not just artistically, but also psychologically and from a strategic stand point.  Not being able to see the whole image might intrigue people to want to see the rest of the magazine and find the wolf throughout the content.  Therefore,  I decided it would be best to still give a little more of the photo so that the viewer can recognize that it is part of a wolf but not too much so that they have all of the artwork revealed to them.

I inserted the Adobe Illustrator artwork into InDesign and scaled it to the size of the page.  For the back cover, I placed three rectangles dividing the picture of the wolf into three vertically-long sections.  The picture of the wolf was the ninth variation and the boxes were green, red, and blue.  I made the boxes transparent and also added the "color burn" effect.  I wanted to show something different than what I had inside the magazine, hence, the transparent boxes.  This experimentation allowed me work my way back to the first and last page inside my magazine.  By simply adding a colorful rectangle in front of the wolf, I was able to completely change the perspective and have a different feel for the wolf.

For the front cover, I wanted something that was not altered too much, but still represented the essence of my magazine's content.  I didn't zoom in too much on the front cover, as opposed to the back cover, because I did not want people making the mistake of confusing the wolf for a bear or something else.  I felt that the text I used needed to go with the theme of "wolf;" thus, leading me to the "Dirt2Death" font which reminded me of a ware wolf type of lettering.  I also placed a black background with yellow text in front to resemble a dark night and a yellow moon...something that is classic in horror films and reminds me of wolfs.   I included my name in the same color scheme and also the subtitle, however, I changed the fonts to something that was a little less hectic and more easily read.